たからものforおくりもの2025
2025年1月25日（土）～2月16日（日）
出展アーティストをご紹介しましょう。そして年末年始のエピソードも教えてもらいました。
Takaramono for Okurimono 2025
January 25, 2025 (Saturday) – February 16, 2025 (Sunday)
Let us introduce the participating artists.
And I was also told about the New Year's holiday episode.
ant
Born in Tokyo. Lives and works in Suginami-ku, Tokyo.
Woodworking and Framing
2005: Began woodworking and framing at Marukatsu Art Studio in Shiki City, Saitama Prefecture. Started as a self-taught craftsman.
2017: Joined Atmosphere, a frame shop in Nishiogikubo, Suginami-ku, Tokyo, as a staff member. Started making and selling picture frames.
2020: Became the owner of ”Atmosphere.”
Statement
Perhaps following established theories is the quickest way to reach a definitive answer to diverse perspectives. However, rather than a rebellious spirit, I want to think from scratch about what I would do myself. The phrase "Creation begins with destruction" resonates deeply with me. I want to experience the pain of creation, the joy of shaping, and the happiness of being accepted, embracing all aspects of this process.
Repair? Restoration?
Repair? Restoration?When it comes to the end of the year and the New Year, I always feel a mix of loneliness and comfort. My partner goes back to their family home with the kids, while I get to spend precious time alone. Despite that, the busyness leading up to the holidays always leaves me drained, with my energy completely depleted. I end up spending the days just lying down. Unfortunately, there’s no device to recharge myself, so recovery is slow.
My birthday on the 29th comes and goes unnoticed, I’m cleaning the house by myself, and I can’t help but feel a sense of sadness.
Unceasing waves of work
However, it’s also a time when I can eat whatever I want, whenever I want, and let my imagination run wild. In the end, maybe it’s a lovely time after all. I feel like there are nutrients I can only replenish during this time. Then, when I receive the "Happy New Year" text message from my family, it feels like the switch slowly starts to turn on. Before I know it, work has begun. Ah, yes, it's still a bit sad.
A Night of Tranquility and Hope
Aoi Senda
Born in Hyogo Prefecture. Lives and works in Kurashiki City, Okayama Prefecture.
Ceramics / Painting
-
2020: Gallery Touka, Animal Art Exhibition
72cafe, Wall Painting
Ushimado Arts & Crafts, Jakutetsu Blue "Monogataru" -
2021: Gallery Touka, "Monogataru" of Living Creatures
Born Gift -
2022: Gallery Kuwamitsu, Neko Exhibition
Misogura ART Place & NAVA Cafe, Kinoko Exhibition
Lands' End Gallery, "Expressionist Exhibition of Libido" -
2023: Uncle Iwane Gallery, Solo Exhibition "Melancholic"
-
2024: Otsu Gallery, Portrait Painting 2024
Statement
I have recently realized that creating artwork helps me understand myself. During the process, I pose questions to myself and become a researcher in a laboratory, carrying out the task at hand. What I create often reflects who I am, and, for better or worse, it is a projection of my state at the time. My goal is to explore the world of my own intoxicating fantasy.
Sharpen one's focus.
I enjoy observing the ecology of natural creatures, and on New Year's Day, before work, I went to the river for the first gathering of the year.
I wondered how it would be in such cold weather, but when I went to collect specimens, I found shrimp and crayfish, small and newly born, yet their lives sparkled with vitality.
Nature is harsh, but I am always impressed by the creatures that live resiliently.
The small one is about 7mm in total length.
They are photogenic.
Cara DiStefano
1993年 USA出身
Wrocław, Poland在住
iron worker & rabbit mother
Born in 1993, USA Lives and works in Wrocław, Poland
iron worker & rabbit mother
Cara, hailing from central Ohio, USA, spent a significant portion of her childhood exploring the forests surrounding her parents' home and her grandfather's cabin. Her fascination with wooded landscapes, imbibed since a young age, has been a constant motif echoing globally throughout her art career.
In 2016, she earned her Bachelors degree in Metalwork and Art History from the Memphis College of Art in Memphis, Tennessee, USA. Fueled by her passion for fire and metal, she found herself drawn to the Festiwal Wysokich Temperatur (Festival of High Temperatures) hosted by the Eugeniusz Geppert Academy of Fine Arts in Wrocław, Poland, in 2018.
Subsequently, she was selected for their funded Interdisciplinary MFA in English program, completing her studies in winter 2020 but is still active in the Academy's foundry focusing on cast iron.
Currently residing in Wrocław, Poland Cara finds inspiration in the natural world, religious and occult objects, anthropology and actively collects fragments to infuse into her artistic endeavors.
＊statement
Inspired by the anthropological study of objects, my artwork explores the symbolic and tangible powers of iron, nature and memory.
Rabbit travel
Meeting grandparents
Spending time in rural Poland with my boyfriend's family and our rabbit first big travel! He has never been in a train or gone further than the vet- so a 3 hour trip into Silesia was very exciting!
Grandma's favorite
Carolyn Gavin
Born in Johannesburg, South Arica, Carolyn now lives and works in Toronto, Canada.
She works in mixed media including watercolour, acyla gouache, pigments, ink and oil pastel.
She is inspired by travelling, the natural world, animals, colour and pattern, and makes sure her life is filled with beauty and creativity.
Statement
A never ending path of discovery and learning.
The bigger picture.
Holidays were beautiful this year starting with opening our gifts on Christmas morning.
A gorgeous breakfast and then a walk in the snow with the dog.
The day was cosy, warm and simply delightful.
Our tiny tree.
Holiday Time
d.Tam. Takako and Momoko Nakamura
Originally from Osaka Prefecture. Currently residing in Ashiya City, Hyogo Prefecture.
Glass Sculpture
Takako Nakamura
Graduated from Kobe College in 1979. Engaged in stained glass production during her studies and learned sandblasting techniques in the 1980s. In 1996, she established an atelier in Ashiya City, Hyogo Prefecture, and began self-taught kiln-formed glass creation. She combines various techniques such as cold casting, pâte de verre, fusing, and sandblasting to explore diverse sculptural expressions.
Momoko Nakamura
Studied printmaking at Kyoto City University of Arts and La Cambre National School of Visual Arts, completing master's programs at both institutions in 2013 and 2014. Under the guidance of Takako Nakamura, she has been involved in glass making since her studies.
d.Tam – Takako + Momoko
In 2016, the glass sculptors' unit d.Tam (d. Tam) – Takako + Momoko was formed. They produce a wide range of glass works, including sculptures, wall pieces, and tableware, which they present both domestically and internationally.
Statement
Clear the mind.
Sense the presence.
Perceive the thoughts.
May what resides deep within my heart take shape and resonate, even just a little, in someone else’s heart.
新しい年の始まり
新しい年の始めは、風邪をひいてしましました。
新年この一年も、皆が平和に健やかに過ごすことができますように。
Emiliano Ponzi
Born in Italy in 1987, currently living in New York
Visual Artist
Illustrator
I am originally from Italy, but I can say that I have begun to gain attention in America.
This started in 2004 when I took on my first significant project for the New York Times. Since then, my career has expanded, leading to numerous awards and opportunities to work on international projects.
People often say that my work evokes the atmosphere of Edward Hopper. I believe this is because my style quietly captures fleeting moments of life while blending into the background, rather than overtly showcasing my own expression. This way of observing and narrating reality is a defining characteristic of my work.
Statement
The messages and morals in my illustrations are often found in the subtle details hidden in the background, sometimes depicting harsh realities and at other times infused with irony, but I take pride in the fact that they are never ordinary.
One hour walk
A few days before New Year's Eve, I was returning home to my family in the small town where I grew up. After spending an entire year in a large metropolis, the return also symbolized a shift in rhythm for those few days.
On December 31st, I usually took a walk alone in the late afternoon through the city center, looking around: the lights, the fog, people hurrying to buy a last-minute accessory or outfit for the celebrations that would take place a few hours later.
One hour walkⅠ
One hour walkⅡ
Hayato Higasa
Born in Nobeoka City, Miyazaki Prefecture, in 1980. Currently residing in Tokyo.
Illustration / Art
2006: Graduated from Setsu Mode Seminar
2008: Appointed as an instructor at Shogakukan Academy Painting Club
2017: Joined Shogakukan Academy S Atelier
Worked on various projects including:
JCB Discount Guide cover
SAZABY 40th Anniversary Animation
BEAMS catalog illustrations
Frank Muller catalog illustrations
Miwa Nishikawa's "Yureru" paperback cover illustration
2006: The 151st The Choice, Honorable Mention, Illustration (Genkosha)
2006: Selected for kfs Art Contest
2007: Encouragement Award, kfs Art Contest
Statement
I combine two printmaking techniques to express my ideas. By using monotype to create a blurred effect with my brushstrokes, I aim to objectify emotional aspects such as fragility and melancholy. I also use stencils to depict concrete shapes, which tightens the overall composition of the work. I focus on creating gaps through a balance of random and deliberate expressions, allowing room for individual interpretation.
Painting and Cocking
I am from Miyazaki and have two siblings. It's been difficult for the whole family to gather in recent years. I lost my father the year before last, and this year I invited my mother to the Kanto area and we gathered at my younger brother's house for the first time in a while. Not everyone could make it, but it was a rare chance for some quality family time. My nephews and nieces, now grown into young adults, had their own time to themselves. The adults went for a walk in the neighborhood, while I lost myself in reading the manga my niece is obsessed with, and we all lay down together for a nap. In those simple moments, my heart found peace.
The main event of this gathering was surely the time spent eating together as a family. Before I started painting, I worked as a chef, and my homemade meals were always highly anticipated. After graduating high school, I worked for six and a half years in a Chinese restaurant at a hotel, so I can make Chinese food pretty well. The whole family loves cooking, and before I knew it, the kitchen had become as lively as a cooking class. By the time everything was ready, everyone was sitting at the table, eagerly waiting with sparkling eyes. After the toast, each person reached out and took a bite of the meal, their faces lighting up with smiles. I could see the happiness I brought through the food I made. While it felt a bit embarrassing, I couldn't help but love this moment. I want to inspire others. Even when I switch from cooking utensils to brushes, this feeling remains unchanged.
It was a happy New Year’s holiday, being able to show my gratitude to my family.
Chinese Full Course
すっかり青年になった甥姪は自分の時間がしっかりあり、大人達で近所に散歩に出かけたり、 姪がハマっている漫画を一緒に読み耽ったり、皆んなで寝転がって昼寝をしたり、何気ない時間に心が安らいだ。 今回の集いのメインイベントであろう家族との食事の時間。 私は絵の道に入る前は、調理師をしていて、手料理は皆の期待の的。 高校卒業後にホテルの中華料理で6年半働いていたので中華はそこそこ作れる。 家族皆、料理好きでキッチンはいつのまにか料理教室のように賑わい、 全てが出来上がる頃には皆がテーブルに行儀よく着席し、今か今かと目を輝かせる。 乾杯の後、それぞれが手を伸ばし口に食事を頬張らせ満面の笑みを浮かべる。 自分の作ったもので幸せを与えられている。 この瞬間が少し照れ臭くもあるがたまらなく好き。 人に感動を与えたい。 調理道具から筆に持ち替えても変わらないこの気持ち。 家族への孝行ができた幸せな年末年始でした。
Jamila Stacy
Born in 1996 in the United States. Lives and works in Kurashiki City, Okayama Prefecture
Ceramics
Jamila Stacy is a Queer Southwest American artist based in Okayama, Japan. They graduated with a Bachelor of Fine Art in Ceramics from Arizona State University in 2019 and continued working in an academic setting during their post-baccalaureate program at Kansas State University. Jamila has experience as a wheel-throwing instructor, and professional mold-maker however, their personal practice tends to emphasize sculptural works. Jamila offers fresh perspectives using innovative handbuilding techniques with an otherwise ancient material. Using material that can be reclaimed repeatedly, such as ceramic and porcelain, is a sacred healing ritual. As a result, Jamila’s sculptures are talismans of shared generational knowledge that serve as activators to promote healthy energy flow. Jamila has won a juried competition in Clifton, Arizona’s Colors of Copper show, as well as received fellowships and other notable recognition nationally. They have shown and sold work in numerous cities in the United States and would like to expand to an international audience. Most recently Jamila participated in an exhibition in Rome and the Florence art and design biennial last year.
2023 Published in XIV Florence Biennale Book “I Am You,” Italy
2022 Published in We Contemporary Art Catalogue Rome, Italy
Statement
There is purpose in pursuing a discipline that may never be mastered. It is the action, not the result, that holds value.
Arizona desert sunset where I am from
Fragile porcelain object
2025year
In the United States where I am from there are many new year traditions. The traditions I am most familiar with are fireworks, parties with friends, loud music and noise, glitter, big hats, champagne, a countdown, and kissing your love at midnight.
It is quite a different atmosphere for me in Japan. I find the family time wholesome and the food delicious. This new year I bought soba and premade osechi from Nishina and ate food for 2 days without cooking.
Jori Phillips
Born in the United States in 1991. Currently residing in Canada.
Mixed Media Soft Sculpture
Jori is a multidisciplinary artist with a focus on mixed media soft sculpture and wearable art. Jori has a background in circus arts, live performance, film and costuming.
Jori was raised in a circus on a small island in British Columbia, Canada. Running away to join the "real world," the artist now splits time between Canada, and the foothills of Northern California. Spending time living in a tiny house in a meadow, with her partner, and thousands of dolls. Jori is an award winning visual storyteller working with found objects and textiles, creating wearable and sculptural art.With a background in live performance, stand up comedy, and film, the artist works across various mediums in the pursuit of the art of storytelling
Notable Exhibitions
2024:
-I'll Find you, East of the Sun and West of the Moon
Jori Phillips and Bronwyn Schuester - Denman Island, British Columbia Canada
-Wild & Scenic Film Festival Art Exhibition — Center for the Arts - 2024 Grass Valley California
2023:
-Featured Artist Showcase - Jori Phillips - St. Joseph’s Cultural center - 2023 - Grass Valley, California
-Lore and Legend, Juried Show- Blue Line arts - 2023 - Roseville, California
-Wild & Scenic Film Festival Art Exhibition 2023— Seven stars art Gallery - 2023 - Grass Valley California
Statement
Jori is a visual storyteller working with found objects and textiles, creating wearable and sculptural art.
生まれ故郷アリゾナの砂漠の夕日
From the coast of California I watched the sun, a neon-marigold firework, exploding across the sky. On the final day of the year, the air was cold. I was cold and heavy. I sat surrounded by memories.For me, it was a difficult year.
Full of loss and pain. Watching loved ones suffer, not knowing how to help. Full of fear, and grief and not knowing the answer, and trying to hold hands with death. Full of remembering, and full of loneliness.
It was all of these things, but surrounding the darkness, were moments of beauty, and art. These are my own golden moments. Collected from a cold sunset. My own marigold firework. My belated celebration of the joys of my year. More beautiful because of the struggle they are surrounded by. There were so many firsts; my first residency, my first workshop. My first group show in Canada, my first solo show in Japan. My first Judges choice award, my first Grand Jury award. My first award for performing comedy. My first return to Japan, (after 17 years,) There was so much community, friends across the world reaching out, sharing stories. Funding my residency, buying my work, supporting me through crowdfunding. Working together on projects, sharing wisdom. watching movies. Going on hikes, sharing beers, living imperfectly together.
There was travel, in canada, and in america, in japan. There were friends, and road trips and weddings and parties.
There was laughter, and performances and delicious food and love. There were so many moments of pure joy. So many moments where nothing else mattered but pursuit of a beautiful moment. I will hold these memories for the new year coming. As we walk into the unknown, when I am afraid, I will remember the friends and the joy. When I am scared I will ask for help, I will think of the sunset.
I will walk through the world with an open heart. I will see the world around me for what it is, not what I want it to be. And I will make art.
Sunset off the coast of California
"Sabishii" mask, created and worn by Jori, in Zao-town, Miyagi Ken, Japan
Sunset
Keiko Yoshimura
Born and lives in Nagoya, Aichi, Japan
Glassmaking
2003 Graduated from Shizuoka University, Faculty of Education, Art and Design, Department of Art and Design
2008 Graduated from Toyama City Institute of Glass Art
2008 Kurokabe Inc., First Studio, Blown Glass Production Staff
2012 Studied under Fujiko Konishi Ushio Enami at Ushio Studio
2014 Returned to Aichi and started activities as glass studio Katsura
Translated with www.DeepL.com/Translator (free version)
Statement
I create new worlds by combining blown glass elements, guided by the theme of "mental landscapes." I aim to produce pieces that add a touch of enrichment to people’s lives.
Nostalgia
At the end of the year, my family and I went to Toba, Mie Prefecture, where we fed seagulls and black kites. Though the wind was chilly, the sea sparkled brightly, and the birds chirped cheerfully. We savored plump, fresh oysters, and for the first time in a while, all my senses felt awakened.
It reminded me of a black kite, Tobi-chan, that we used to keep at the glass workshop where I once worked. It had been injured and could no longer fly. I wonder if it’s now soaring in heaven, spreading its wings in the vast sky.
Pii-hyorororo!
Seagulls dance.
Black Kites soar.
Mar Sueiras
1964 Born and lives in Salamanca, Spain
Painter / Painting teacher
Professor of Painting and Pictorial Techniques at the Faculty of Fine Arts of the University of Salamanca and of Chinese Art in the Master's Degree in East Asian Studies of the same University. Coordinator of the Area of Art and Comparative Aesthetics of the Eurasian Humanism Recognized Research Group (HUME) of the University of Salamanca, she holds a PhD (Laude) in Art History/Fine Arts, a Bachelor's Degree in BBAA (mention in painting), a Master's Degree in East Asian Studies and a Higher Technician in Graphic Design. He has participated in numerous international and national conferences, and published in books and indexed academic journals.
SOLO EXHIBITIONS
• 2022. Plan, Memory – Evoked Spaces. Luis Méndez Gallery. Salamanca
• 2020. The God of the Walk. María Nieves Martín Art Gallery.
• 2019.- Espacio Ovalo Gallery. Solo exhibition. Avilés (Asturias).
Hon. City Council of Muros de Nalón (Asturias).
The Nature of Water. Valdecarzana Palace (Historical Archive). Avilés (Asturias). • 2018. The Nature of Water. Crystal Courtyard of the City Council of Coria. (Cáceres).
• 1992. Banesto Exhibition Hall. Oviedo.
• 1991. City Council of Candás
• 990. Hon. City Council of Muros de Nalón. ""Tomás García Sampedro"" House of Culture. San Esteban de Pravia. 1989. Sala Borrón. Oviedo.
Statement
With nature as leitmotiv, my painting expresses the emotional states of memory through pictorial language, with the reference of traditional East Asia
MATURING INTO CHILDHOOD
I grew up in a coastal town in northern Spain. Winters there are cold and wet. New Year's Eve was a lot of fun! In Spain we have a tradition of eating grapes with the twelve bells that usher in the New Year. We believe that if we don't, we won't have good luck for the year ahead. From New Year's I remember cozy mornings, the hustle and bustle of food on grandma's china and cut crystal glasses. Laughter and children playing by the Christmas tree. Memories that will stay with me forever.
LANDSCAPES IN MEMORY
MATURING INTO CHILDHOOD
Mayumi Yoshida
Born and currently lives in Chiba, Japan, 1988
Crafts
2016 Graduated from Kanazawa College of Art, Department of Crafts
2018 Completed Master's program in Crafts, Graduate School of Arts and Crafts, Kanazawa College of Art
2021 Completed Kanazawa Utatsuyama Craft Workshop
2020 Kanazawa Utatsuyama Craft Workshop Prize
2021 Kanazawa City Craft Exhibition, President Prize of Kanazawa College of Art
2023 Encouragement Prize, International Lacquer Exhibition Ishikawa
2023 2020 Collection of Kanazawa Utatsuyama Craft Workshop
＊statement
Eggshells with various shades of white that evoke warmth or coldness. Shimmering shells and metals. By combining these beautiful materials with lacquer , the aim is to create works in the form of boxes that visually and tactilely blend into nature and memory, capturing the essence of their charm.
New Year's Day
For the past few years, New Year's Day has become a little different for me.
Instead of eating osechi or ozoni, I treat myself to some special bread from a local bakery, make my favorite coffee, and enjoy a leisurely breakfast while watching TV.
The first snack of the year is always oshiruko (sweet red bean soup). I make it a bit of a luxury by using my favorite mochi, which is packed with black beans, and enjoy it with a strong cup of green tea.
This is how I’ve been celebrating the New Year lately.
I uncovered a large collection of shrink plastic sheets that I made as a child during the year-end cleaning.
My handmade Daruma makes an appearance this New Year's...
– I hope this will be a fun year. –
Naoko Nakashima
1981 Born and currently lives in Yokohama, Kanagawa
Woodblock print Oil painting
Since graduating from Musashino Art University in 2006 with a major in printmaking (now Graphic Arts) from the Department of Oil Painting, Faculty of Art and Design, she has been creating mainly woodblock prints and showing her work in solo and group exhibitions.
Works published in “Fujingaho” from April 2017 to March 2018
2018 “Print Art no.182 Woodblock Prints: Japanese Present and Western Origins” works published
2018 Lecturer at vocational schools, art preparatory schools, painting classes, etc.
2022 Started producing and presenting oil paintings
2023 “Apartment Complex Residency” (woodblock prints and oil paintings) series in progress
2014 and 2015 Bronze Prize of Contemporary Chayu Award
Collaboration work with Ruri Arai (leatherworking)
＊statement
Observing and recording the "trivial matters" that occupy most of daily life as drawings is the goal. Exploring ways to represent the seemingly insignificant aspects that may not appear to be subjects for art.
About My Grandmather
My grandmother（grandmother-in-law）, who now lives in Tokyo, is originally from Ashiya, Hyogo Prefecture. Nearly 100 years ago, when she was a child, there was a private zoo on her family’s property, which they opened to the local community. One of the stories from her childhood, that she used to ride a donkey to kindergarten, became somewhat of a local legend, often featured in community newsletters, and even inspired the subject of a novel. I’ve always wanted to visit my grandmother’s hometown, and in December of last year, I was finally able to make the trip.
However, when I arrived at the address my grandmother had told me, there was no trace of the private zoo. Instead, a beautiful patisserie stood in its place. I bought a small Stollen as a souvenir, and later, I visited the facility where my grandmother now lives. Together, we ate the Stollen while looking at a photo I had taken of Ashiya River as we passed by.
The Ashiya River
Paulina Ortenburger
Born in Poland.
Diploma defended with distinction in 2014 - Masters Degree in Arts,
Visual Communication specialization, Academy of Fine Arts in Katowice, Poland.
Works also as a Physiotherapist. Actively participates in interdisciplinary projects in the field of art and science, combining both these passions. In her works, she takes up the topics of biological and medical sciences, reflecting on the complexity of life and nature.
2017 Laureate of the III Biennale of the Young – Fine Arts, organized by the Municipal House of Culture in Radomsko and the city of Radomsko
Author of solo exhibitions and participant in many group exhibitions and projects. In 2017 Laureate of the III Biennale of the Young – Fine Arts, organized by the Municipal House of Culture in Radomsko and the city of Radomsko
Statement
My creations are inspired by the phenomena found in nature, biology, and science, reflecting the ephemeral complexity of life.
New Year's Day Surprise Encounter
A few years ago, I skipped a New Year’s Eve party to visit a cosy hotel near a snowy forest. On January 1st, I woke up refreshed and went for a peaceful walk.
Among the frost-covered trees, I saw bullfinches for the first time. Their vibrant feathers popped against the snow as they chirped indignantly at my presence.
Back at the hotel, my beloved family, a warm breakfast, and fragrant coffee awaited me, making the day—and that rare encounter—unforgettable. I knew the year ahead would be great!
Winter forest in the sun
Bullfinch watercolour I painted after my walk
Rafael A. Zarazua R.
Born 1985 in Ciudad de Guatemala, Guatemala C.A. Lives and works in Kawasaki City, Kanagawa Prefecture
Blown Glass/Sculpture
2009 Graduated from Rafael Landivar University, Department of Industrial Design
2009-2013 Worked as an industrial designer in Guatemala
2013 Entered Royal Danish Academy of Design, Bornholm, Glass Department
2014 Internship at Riksglasskolan Orrefors, Sweden
2015 Internship at Studio Fresco, Japan
2016 B.A. Glass, Royal Danish Academy of Design Bornholm, Denmark
2016 Artist in Residence at Boda Glass Factory, Sweden SkeppstaGlasHytta, Sweden
2024 Two men's exhibition Rafael Zarazua × SAKURAOKA / MAT
2024 Solo Exhibition Rafael Zarazua / Flower Atelier Kosmos
2024 Group exhibition ALL OF GLASS 2024 / Maruzen Nihonbashi
2024 Solo exhibition CRUEL SUMMER / BLANDET Tokyo
＊statement
Born in Guatemala, initially trained as an industrial designer, and later acquired glass-making skills in Scandinavia. Currently created in Japan, the work incorporates classic forms and traditional techniques influenced by antiques and old objects combined with vibrant Central American colors. My freehand creations merge nostalgia with modern hues.
A Bread Man, a Giraffe, and a Small Boy
A Bread Man, a Giraffe, and a Small Boy We went to the zoo while visiting my wife’s parents. At first, it seemed like an ordinary outing—one of those experiences that blend into the routine of life. But we forget: nothing is truly ordinary. Having my son with us, seeing the animals up close for the first time, reminded me of this. He was wide-eyed with wonder. Every moment was fresh, filled with fascination. Even the smallest details—a leaf rustling, a bird hopping—were marvels to him. In dwelling on life’s heavy shadows, I had lost that wonder. Walking together, I saw the world anew through his eyes. And then, we fed a giraffe. Similarly, I saw a reflection of this wonder in Anpanman. My son became captivated by this bread-headed hero, and I took it lightly—until I discovered the story behind him and the man who created him, Yanase Takashi. Why craft something so seemingly absurd? His life offered the answer. Through hardship and struggle, Yanase gave us a hero who embodies kindness—a figure who sacrifices without vanity, feeding others and, in turn, nourishing his own soul. It reminded me that wonder and generosity are intertwined. Even the smallest acts, like sharing a loaf or a child’s fascination, contain quiet, profound beauty.
we feed the giraffe.
in a big fan of Anpanman now, but baikinman is my main guy.
For the New Year
As we exchanged New Year's greetings, I felt a sense of relief when the media showed a moment of silence along with the time. I hope that my family, friends, acquaintances, and all those connected to them can continue to spend their precious days in peace and safety.
The Zodiac characters and the Otafuku kumade.
riya
Born in Chicago, U.S.A., in 1985 Lives and works in Kyoto, Japan
Paper cutout, paper art
2008 Graduated from Tama Art University, Department of Production Design, Textile Design
2009 “Canvas@Sony2009” SONY Grand Prix
Statement
Using the technique of paper cut-outs, he arranges icons such as animals, humans, waves, clouds, flames, and stars to create works that are both magical and ethnic while also evoking an ecological perspective. Building on her experience with original paintings, she is currently engaged in various projects, including illustrations, murals, and merchandise design. The paintings also convey songs and stories that emerge from unknown origins.
Annual routine
Like every year, this year's end-of-year and New Year's holiday was a whirlwind. After finishing work, as a treat for my dog, who loves walks, I spent much longer than usual strolling along the riverside in Kyoto.
The dog came back from its first walk of the New Year with a seed stuck on its forehead.
Shoichi Okumura
Born in Beijing, 1989 Lives and works in Hachioji, Tokyo
Painter
2024 -Tropical Escape- (Kyoto)
2023 -Torpical Fiction- (Osaka)
2022 -Imaginary Tropical- (Tokyo)
2022 -Tropical Cosmo- (Kyoto)
2021 -Fictional Travelers- (Tokyo)
Collection of The Sato Museum of Art
＊statement
Walking through the “園林/YuanLin”, one notices here and there the inclusion of “盆景/BonKei” and “太湖石/Taihu stones." While these are small separate worlds placed within the “園林/YuanLin”, the garden itself serves as a condensed depiction of real scenes or imagined paradises. In this regard, it is no different from the similarly condensed, small, separate worlds.
This structure is not only found in gardens but also in paintings such as those depicting the landscapes of the Northern Song Dynasty or mandalas, as well as in architectural structures like courtyard houses or earthen buildings, and in stories such as "Dream of the Red Chamber," where the notion of a condensed small separate world, akin to a nested paradise, is often expressed.
Drawing from this nested structure, a contemporary utopia is portrayed by combining elements of the fictional "tropical" and characters as analogies for landscapes, echoing the concept of a modern utopia.
The fragrance informs
I spent the entire New Year period immersed in my work, but one of the orchids we grow at home, Rodriguezia batemanii, bloomed. This orchid, native to South America, grows epiphytically on citrus trees and features hanging pink flowers with a distinctive, rich fragrance.
Though the flowers are not large, once they bloom, their scent fills the entire room, which brought me joy during my work. It felt as though the fragrance of the flowers was heralding the arrival of the New Year.
Rodriguezia batemanii
The plant room is a treasure trove.
Kou Tamura
Born in Kyoto Lives and works in Takatsuki City, Osaka
Illustration
Kyoto International Academy Palette Club 27th class
tete illustration class 4th year student
Solo exhibition
2016 We are Gentlemen/Studio Range
2022 THE SPORTS WE LOVED /ART HOUSE
2022 THE SPORTS WE LOVED EXTRA INNINGS/Gallery&Hair salon aimatsuda
2023 Who is the culprit of the crime?
2024 Hibi no kiroku/STUDIO COOTE GALLERY
2019 Fuji Television “Chidori no Shinbun sareta Yamashita” (illustration)
2020 Baumkuchen specialty store “BAUMEN BROTHERS” Illustration
2024 Madras Curry, Nankai Namba Station, main visual for the store
Other works: manufacturer pamphlets, confectionery packages, magazine illustrations, etc.
Statement
My illustrations are created to express the charm of old men, including their faces, beards, glasses, clothing, presence, and melancholy, which are interesting. Recently, interest has also grown in capturing the charm of intriguing women. Each day, efforts are made to beautifully depict people's unique fun and cuteness.
Mother's Visit to the Shrine
When we went for our first shrine visit of the year as a family, my mom, who’s turning 80 this year, prayed for the health of our family and the safety of her grandchild studying abroad.
But before that, she couldn’t help but pray with a big smile on her face, wishing for the wrinkles around her mouth to disappear. Looks like she's still going strong and full of energy!
’Crime ’ scene！！
Yoko Tezuka
1979 Born in Tochigi Lives and works in Tokyo
Painting
2003 Graduated from Tama Art University, Department of Painting, Japanese Painting
2005 Completed Graduate School of Tama Art University, Department of Painting, Japanese Painting
2021 The 10th Artist Group -Kaze- Grand Prize, Public Call for Artists Exhibition, Grand Prize
2021 The 8th Triennale Toyohashi, Shingo Hoshino Prize, Selected Prize
2022 Selected, Debut 2022, Monthly Bijutsu Presents Art Newcomer Award 2023 Monthly Bijutsu Presents Art Newcomer Award “Debut 2023”, Selected Selected, 3rd ARTIST NEW GATE, 2023
2023 The 25th Setsuyansha Florence Prize Exhibition, Selected
2024 Monthly Bijutsu Presents Art Newcomer Award “Debut 2024
2024 Selected, 9th Triennale Toyohashi, Shingo Hoshino Prize Exhibition
Statement
The works are influenced by ukiyo-e. They reflect the bold use of space, the strength and subtlety of hand-drawn lines, and the clarity of unhesitating strokes. Each effort is made to move closer to the intended goal while working on the canvas.
The daruma that my child bought on their own.
This New Year’s holiday, my family at home caught the flu, so I ended up spending the time in Tokyo. The Tokyo National Museum has an annual event called ‘Hatsumoude at the Museum,’ so I decided to take the opportunity to show my favorite work, Hasegawa Tohaku’s Pine Forest Folding Screen, to my child.
The moment of being bitten by the lion dance.
We were lucky enough to catch a lion dance right in front of the main building, and the lion even ‘bit’ our heads, so it turned out to be a very auspicious New Year. The child who saw the lion dance for the first time was a bit scared, but when I explained that getting bitten brings good things, they seemed satisfied.
My son, who bought a golden (for good fortune) daruma and prayed for his allowance to increase.
Takako Tamura
Born in Kobe, Hyogo Prefecture, Japan Active in Kobe, New York
Printmaking, Ceramics
1990~1999, 2001~2006, 2019~202
Moved to U.S.A.
1996
Studied basic printmaking with Roberta K. Scott Perry in New York, then began self-taught collagraph printmaking
2000.
Member of Scarsdale Art Association, New Rochelle Art Association, Mamaroneck Artists Guild, National Association Women Artists
2006
Became a member of Society of American Graphic Artists (SAGA)
2019
The Art Students League of New York Ceramics Course
2000-2024
Exhibited his work in solo shows at World Fine Art Gallery in New York, Sogo Kobe Department Store, Kobe Hankyu Department Store, and numerous group shows organized by SAGA, CWAJ Print Exhibition (Japan), Cadaques Miniprint International (Spain), Lesedra World Miniprint Exhibition (Bulgaria), and others, both in Japan and abroad. CWAJ Print Exhibition (Japan), Cadaques Miniprint International (Spain), Lesedra World Miniprint Exhibition (Bulgaria), etc.
2023/2024
Three pottery exhibitions at Utsuwa Plus, Kobe Hankyu Department Store, Kobe, Japan
Statement
It may sound clichéd, but even in our ordinary daily lives, each day is indeed filled with unknown joys. When trying to notice those things that are almost perceptible but hard to grasp—those "things that are very close and present in everyone’s life"—it is hoped that the protagonists in the artwork can gently accompany and resonate with you.
It's the most wonderful time of the year!
When it comes to intense New Year’s memories, it has to be spending Christmas with the Versace family. Their Italian-style Christmas is truly grand. Every year, it starts with the Christmas tree shopping. A nearly two-hour drive to the suburbs. Once we arrive at the farm, we trudge through deep snow, searching for the perfect tree, then saw it down with the saw. After paying, we proudly tie the large tree to the roof of the car, then enjoy some apple cider after work. The happiness of that warm, cinnamon-scented apple juice flowing down my throat is indescribable, especially when my body is all chilled.
Yesssssss!! We'll take this one!
Every year, I eagerly look forward to that moment. But the most intense memory of all is decorating the tree with an insane amount of ornaments. It takes a whole day to finish. One year, we forgot to wire the Christmas tree to the ceiling, and the weight of the ornaments caused the tree to crash down with a thud! It was a tragic sight. The coffee table was broken, and all the ornaments we had carefully placed were scattered. We were so relieved the window didn’t break, and we all ended up laughing while holding back tears. I still remember that day well. It’s a pity there are no photos because it was before the days of cell phones.
Heartwarming Christmas!
Yoshimi Suzuki
Born in 1972 in Yokohama, Kanagawa Lives and works in Kokubunji, Tokyo
Glass production
1996
Graduated from Musashino Art University, Department of Crafts and Industrial Design
1998
Graduated from Toyama City Institute of Glass Art, Toyama, Japan
1999
Participated in the summer session of Penland School of crafts
2000
Research course, Toyama City Institute of Glass Art
1999 Grand Prize, Japanese Glass Exhibition
Statement
Daily emotions, sensations, and the colors and shapes of the landscapes encountered are incorporated into the artwork.
The night sky is the universe.
As usual, we gathered as a family at my parents' house and spent a fun, lively time together, but there was nothing particularly notable to mention.
Looking through the telescope at the uneven surface of the moon floating in the winter night sky, the dumpling-like Saturn, Jupiter’s stripes, and the stars. All thanks to the experts.
Yukari Tashiro
Born in Kitakyushu City, Fukuoka Lives and works in Fukuoka City, Fukuoka
Printmaking
2003
Graduated from Fukuoka Prefectural Yahata Chuo High School, Art Course
2003
Entered Kyushu Sangyo University Faculty of Art, Fine Arts Department, Painting Course
2007
Graduated from Kyushu Sangyo University, Faculty of Art, Fine Arts Department, Painting Course
2017
Entered Fukuoka University of Education, Graduate School of Educational Science, Educational Creation Course
2020
Completed Graduate School of Educational Science, Fukuoka University of Education
2020
The 16th CWAJ YPA Award
2021
The 45th National University Print Exhibition, Excellent Prize, Audience Prize
2022
Santo Musee Ueda City Museum of Art, Selected for the 8th Yamamoto Ting Print Grand Prize Exhibition
2023
The 21st Art Gallery Home, Special Prize of Judge
Statement
How does a nighttime view appear depending on one's emotions and memories at the time of viewing? Because nightscapes are familiar to everyone, it is thought that people might relate them to their own memories and reflect on their personal feelings.
The idol cat brothers from the shelter have arrived!
The cat brothers arrived at the end of the year.
The brothers are playing hide-and-seek, staying on guard.
The older brother cat when they were at the shelter.
Yuki Kiyohara
1965 Born and lives in Ashiya City, Hyogo Prefecture, Japan
Created and presented mixed media using embroidery
1988 Graduated from Konan Women's University, Department of English Literature, graduated
1988 Kobe Fashion College, Haute Couture Department, graduated
1988 Joined ITOCHU Corporation
1994 Resigned from ITOCHU Corporation
I started creating works incorporating embroidery in around 2011
Officially selected for the Salon d'Automne in France in 2017, 2019, 2020,
2021, and 2022.
2020 Platinum Art Grand Prix for the best work
2021 Award of Excellence, Japan-France Contemporary Art Exhibition
2023 Special Jury Prize, International Contemporary Art Exhibition in Montecozaro, Italy
Statement
Embroidery style is my preferred way to express my artwork. The conventional embroidery works are typically characterized by their fine touch with carefully and well-aligned stitching methods. On the other hand, I use threads and variety of materials as if they were pigments on oil paintings.
In my cases, I choose humans and creatures as motifs of my works.
My aim is to express “life” vibrantly using threads and other materials.
The process is both time- consuming and physically demanding, especially with the incorporation of hard materials like leather and metal.
The energy that went in is clearly reflected in the final piece.
By combining embroidery with painting and other techniques, the inherent coarseness of embroidery is transformed into something refined and sophisticated.
兄弟警戒中かくれんぼ
My first grandson "Ao"
Tonneau as Medusa
Dragon boy and Snake dog
In December, my son’s family welcomed their first baby, making me a grandmother for the first time.
I went to visit them during the New Year holidays.
This year is the Year of the Snake, so I dressed up my beloved dog as Medusa.